Mutation Station unveiled

Here a quick play-through of Mutation station, an Xbox Kinect title that I
produced and implemented all music and sfx for back in the summer.

Updated Music Portfolio

Here an updated music portfolio, including recent tracks produced for Relentless Software:


Portfolio by etalbot

Relentless Software

I am glad to say, since the downfall of Black Rock
I have landed a new contract with Relentless Software,
producing all music and sfx.

The current title is not officially announced, yet,
but I cannot wait telling everyone about it...

AES presentation

I am giving a presentation on Split Second's audio this weekend at London's 130th AES convention! Exciting times....

http://www.aes.org/events/130/workshops/?ID=2710

Split Second FMV sequence

Some of Split Second's FMV sequences have started appearing online...
I did this one about 1.5 years ago, it highlights some cinematic, 'hyper-real' sound design, which really defined the game's audio.

New Babel Trailer music

Just for fun I re-wrote the music for the babel trailer...
After a week of recording and composition here the current version
(still needs final pass and video cuts off abruptly...:-( )

New music track for trailer

Here is a new track I did last week for a game trailer:


Erasmus Talbot - A hero rises final by etalbot

New track

I have produced a new track, inspired by the
Armaggedon trailer.

Here the track:

Erasmus Talbot - Americans going into space final by etalbot


And here the trailer

Split Second tribute theme

Here is an old Split Second track, that I originally created as
the main theme but never made it into the game:

Split / Second tribute theme by etalbot

The sound of Split Second

This video showcases the sound of an entire race of Split Second.
Apart from our hyper-real sound design, you can witness the interactive music system
increasing the intensity of the music during the race:

Remake of Gladiator trailer music

I decided to take on Hans Zimmer, and redo the trailer music for Gladiator!
Here is my trailer:





and here the original:




Let me know which one you prefer! ...and I don't mind losing to Mr Zimmer!

Split/Second: Hyper Real Sound Design for Powerplays

When creating the sound for Split Second's so called 'powerplays' (massive
environmental destruction)we soon established the concept of 'Hyper-Real' sound design. The idea, inspired by action blockbusters, is that rather than just representing the visual action literally with sound, we would employ sound also to provoke emotional responses. This would not happen all the time, but only when the player was close enough and fully focused on the powerplay.

In order to establish how this could work via a specific example, I was tasked to create sounds for the following video. The closer the camera gets to the exploding skyscraper, the more hyper-real the sound design becomes. When the visual goes into slow motion, the sound becomes even more abstract:

Granular Synthesis with Alchemy: Swooshes

As part of a recent pre-production phase I spent a lot of time experimenting with CamelAudio's Alchemy.

The following swooshes were created by applying Alchemy's granular synthesis to various sources including fireworks, explosions, and waves. Various modulations were then applied to enhance the swoosh and rippling effect.

Ripple swooshes by etalbot


This sound texture was created using Alchemy with recordings from a Daytona race. The recordings were cut up, processed, put through Alchemy's granular synthesis and DSP modules and then triggered and layered via midi:

Daytona swooshes by etalbot

BAFTA and Ivor Novello submission

I can announce that Split Second's soundtrack has been submitted for both an Ivor Novello and a BAFTA award....

Split/Second interactive music front end

This video highlights how the music adapts as the player progresses through the different layers of the Split Second front end. There is no clever beat matching, just carefully crafted transitions. The music was produced and implemented by myself and audio director Steve Emney.

Split Second: Air Strike and Air Attack trailer

Here another Split Second trailer. This time director Nick Baynes describes
the air strike and air attack game modes. I did all the audio for this one
including sfx, music and mixing:

Split Second: Survival at the Rock trailer

Last summer, as part of my work on Split Second DLC, I did all the SFX, music and mixing for this Split Second trailer:

My favourite game sound of 2010...

...is that of Limbo! Rarely have I witnessed such effective and considered use of sound in games. Limbo demonstrates the creative possibilities when the right bold, artistic decisions
are taken and applied consistently: